Aida- Roma 2000 :  La Gazzetta del Mezzogiorno

The Hungarian soprano, a loveable artist with a great singing technique

and perfect phraseology, offers exemplary diction and pure high notes.

 

Aida : Dublin  2000  ; Sunday Indipendent

Hungarian Soprano von Benza was equal to the taxing role of Aida, singing with passion

and showing to be an admirable actress.She has proved a real discovery for Opera Ireland.

 

Aida : Dublin 2000 ; Sunday Tribune

The Hungary Soprano Georgina von Benza has a verdian voice that could grace any opera House, a radiant top

partnered by ability to sing really softly, heard most effectively in her heart - rending " O Patria mia ".

 

Teatro Toniolo ,  Verdi Recital .  Venezia 2001:  Il Mattino

La von Benza ha dimostrato una disinvolta  padronanza della voce, concedendo acrobazie mozzafiato,inserite con apprezzabile discrezione in una piu intensa e fedele interpretazione della pagina.

 

Mannheimer Morgen : 2001 Nabucco in Mannheim

This Abigaille, one of the most demanding parts of Italian literature,

was in the best possible hands with Georgina von Benza. The internationally

well-known Hungarian has just everything that this role demands from the

primadonnas: furious attacks for the songs of revenge of the unlucky usurper, an

enormous extension of the voice in both directions (including the interval of 2

octaves) and the ability to sing fascinating pianissimi. It was perfectly right,

that she was given such rapturous acclaim at the end.

 

Orpheus Opernspiegel International ;  October 2002 Andrea Chénier in Wiesbaden

Georgina von Benza's Maddalena lives on her silvery shining high notes

and her delicate body-language, that self-evidently transforms the apron into a

stage.